It’s taken me a little while to get around to writing this, partly due to searching out the direction that I intend to go in; also the fact that I’ve spent the last two years in the education system, there has been little opportunity to create the types of work that I personally wanted to create. Throughout college I have worked with the themes and projects I’ve been given and turned them into work that is personal to me, it’s more so the fact that there wasn’t the time to spend on one particular piece of work. The closest I came to creating a narrative artwork in college was my final major project “Coffee Comes to Europe, 1615”.
Anyway, now that I’ve had the time to gather my thoughts and reflect upon the road that I wish to take in this artistic journey, I have finally written my statement and any future works will be true to it; because at this point if you were to look through my portfolio and saw the work that I’ve got in there it could be thought that my work isn’t true to my statement. This small factor will be amended over time with the more work that I produce now that I’m free to work on a personal level.
I find myself driven by a split-personality consisting of a deep thinking, self-analytical perfectionist and an inventive artisan motivated to utilize my creativity ceaselessly. My over-active mind doesn’t allow me to cease thinking and planning creative ventures; at any time I’m not physically producing artworks, I’m mentally creating them.
Through the work I produce I explore the concept of the artist as a storyteller, making narrative artworks and breathing a fresh lease of life into some of the oldest and most ancient legends, myths and folklore of the British Isles, resurrecting onto canvas the tales that have been passed down from generation to generation. In harmony with that, my interest in world history provides me with a wealth of inspirational sources to work with.
In addition to narrative artworks, I also intend to create landscapes in a wide variety of locations; more often than not with my landscapes, I tend to search for a hidden story within my scene, evoking myth and legend into what could otherwise be depicted simply as a scenic view.
My preferred style of painting is traditional or classical, a style that I am currently working towards and learning more about with every stroke of the paintbrush and mark of the pencil; using either oil or watercolour as my preferred media. In light of that, I have no intentions of merely duplicating the styles of old masters; I wish to build upon a knowledge of traditional methods in order to excel my own technique as an artist, working towards a new age of classicism.
The achievement I hope for is that I can make works of art that communicate with the audience, evoking emotions and inspiration, bringing them so close into a narrative that they are as much a part of it as the characters depicted in the unfolding scene. I want my work to leave a lasting impression upon all who partake in this communion of visual storytelling to the point that the audience will describe their experience to others, thus passing the tales on as has been the custom since the dawn of mankind.
Well that’s it, relatively short as is the usual custom as far as I’m aware but to the point and descriptive of my objectives and goals as an artist. The next step now is to create more artworks harmonious to my statement and get them published as soon as possible. I’m currently working on a five part project based on ‘The Lord of the Rings’ which will culminate in a narrative painting that I can be truly happy with.