Ted Nasmith – ‘Last Sight of Hobbiton’

This dramatic narrative is one that I missed during my research, an amazing piece of work also by Ted Nasmith.

Earth and Oak

Ted Nasmith - 'Last Sight of Hobbiton'

This beautiful rendering of the ‘Last Sight of Hobbiton‘ by Ted Nasmith (2002) is one of my favourite works of Tolkien art.

Nasmith tends to capture the essence of the tale in his artwork: it retains the enchantment of Middle-earth, and often conveys more by depicting less.

This painting says a great deal and speaks to some of the core themes of the book, but in a subtle and quiet way – a moving and beautiful rendition.

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The Lord of the Rings Project – Part III

Welcome to Part III of my Lord of the Rings art project, if you have missed the first two parts click the following links and they will open in a new tab on your browser:

Part I

Part II

We are now at the halfway point through the journey of this project and this is where things start to get really interesting, no more wandering aimlessly through the lands of Middle-earth, this is the point when direction is provided and the road goes ever on and on.

“I can’t carry it for you, but I can carry you!”

The aim of this part of the project is to give an insight into the scene of the narrative that I have chosen to depict in my final painting, it’s took a lot of thought and sifting through the vast amount of rich and captivating content available. I have finally made the choice and this post will pick apart the scene both described in JRR Tolkien’s literature and Peter Jackson’s films.

Continue reading “The Lord of the Rings Project – Part III”

The Lord of the Rings Project – Update

After some deliberation I have decided that I’m going to slightly change the layout of the project to how I first envisioned it. Originally this was going to be a five part venture but it will now contain six parts; they will be laid out accordingly:

  • Part I – Sketches of random scenes/places in the trilogy
  • Part II – Pencil and Watercolour sketches of Middle-earth landscapes

Those two parts have already been carried out and posted respectively and you can find them by clicking the link of each part above. The next parts are where I deviate from the original plan and change it slightly:

  • Part III – Scene chosen for final piece, analysis and breakdown using the literature and film trilogy as sources for doing so. This part will go into detail about the scene chosen and perhaps layout a proposal for doing so.
  • Part IV – Preliminary sketches for final piece as well as a final detailed monochrome drawing to use as reference for final piece. Emphasis on composition and tonal values.
  • Part V – Progress on final piece; underdrawing and various progress photographs as final painting is carried out.
  • Part VI – Final Piece – Oil painting depicting the narrative scene chosen in Part III.

That’s it then, the final layout for this project which so far has been a bi-weekly project, with posts published on the weeks between the project posts.

Part III will be published 19th August 2015 and it’s an exciting post that I’m looking forward to writing as I get to delve into the story itself and pick it apart for the benefit of the artwork I’ll be creating from it.

For those of you that are accompanying me on this journey I thank you, please feel free to share with others, comment and discuss any aspects of this project and leave any feedback, all of these things are greatly appreciated and most of all, thank you for taking the time to read these posts and be a part of this quest.

12th August will see a published post about two renowned Middle-earth artists, Alan Lee and John Howe, until then, take care!


Finishing Da Vinci

Incredible post that shows what these finished Da Vinci artworks could have looked like, the artist responsible, David Jean has done them a lot of justice.

Angus Carroll's Blog

Few people are as famous as Leonardo da Vinci. His paintings have become icons of civilization, his notebooks the quintessential expression of the creative and scientific mind. He is who we mean when we say ‘Renaissance Man.’ But he had a fatal flaw. For all his artistic and inventive genius, he rarely finished anything. Even his most famous work, the Mona Lisa, was never  ‘completed.’  Vasari, a contemporary of Leonardo’s, wrote in his biography of Leonardo (in Lives of the Most Eminent Italian Architects, Painters, and Sculptors, 1550), that “Leonardo undertook to execute, for Francesco del Giocondo, the portrait of Mona Lisa, his wife; and after toiling over it for four years, he left it unfinished.”[1]

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The Lord of the Rings Project – Part II

Welcome to Part II of my current art project, if you’ve only just stumbled upon this post and haven’t seen Part I, you can find it by Clicking Here.

For this part of my project, I have done some sketches of Middle-earth, some in pencil and some in watercolour, the sketches that I’ve produced are fairly rough working sketches, I haven’t worried too much about capturing every detail just wanting to catch the essence of the place and show what’s there for future reference. Most artists used preliminary rough sketches to work from at a later date for their main works, the artist I draw the most inspiration from for this practice when it comes to landscapes is JMW Turner; an incredibly talented Romanticist landscape artist from the Victorian Era.

As a reference for this sketches that I’ve carried out I used scenes from the movies, directed by Peter Jackson as well as photos of the beautiful New Zealand scenery; I think one thing that people who are totally in opposition to the movies can’t deny is that the setting for Tolkien’s legendarium was very well chosen and portrayed. Then again I may be wrong, critics will be critics at the end of the day.

Anyway, moving on from that here is the work I’ve produced since Part I:

Isengard Approach - Pencil Sketch
Isengard Approach – Pencil Sketch

This pencil sketch shows the approach to Isengard, but viewed as though one has already entered the archway and is en route to Isengard, thus in a sense it’s an exit from Isengard.

I love ruins, stonework and architectural elements such as bridges, archways and so on and therefore this was a nice seen to sketch. I captured the elements that were relevant for future work basically scribbling outlines and rough shading for reference.

View of Mordor from Emyn Muil - Pencil Sketch
View of Mordor from Emyn Muil – Pencil Sketch

*The hills of Emyn Muil, upon either side of Nen Hithoel, was a vast, seemingly impenetrable maze of rocky crags in the region of Rhovanion in Middle-earth. – lotr.wikia.com 

This was a lovely sketch to create, the textures and surfaces of the rocky crags a perfect subject for sketching quickly and efficiently.

Mordor can be seen in the distance so I used some red and yellow colouring pencils to make it stand out amongst the greyscale landscape that directs the eye towards it.

View of Mordor from Emyn Muil - Watercolour Sketch
View of Mordor from Emyn Muil – Watercolour Sketch

The same again but this time I used watercolour paints to capture the scene, they give a very different effect but the same atmospheric qualities of this dark place remain.

Sketching with watercolours is an amazing creative process, working fast and building up layer by layer to complete a reference to the seen being captured.

As can be seen watercolours are a lot looser than pencils and it could be seen from either viewpoint whether they give more freedom or less, I guess it depends upon the subject.

Anorien, Gondor - Pencil Sketch
Anorien, Gondor – Pencil Sketch

*Anórien lay north of Minas Tirith and the line of the White Mountains (Ered Nimrais), and was the only part of the northern half of the realm,Calenardhon, which was not given to the Éothéod to become the Kingdom of Rohan.

Anórien formed a narrow strip of land consisting of the valleys of the White Mountains made up of tall grasslands, and its borders were the Mering Stream in the west and the Mouths of the Entwash in the north. Its eastern border was the border of Gondor at the Anduin. The climate was mild winters with warm summers. No cities were in Anórien, but following the line of the Great Road that led through Rohan to Arnor were built the Warning beacons of Gondor. 

Anorien, Gondor - Watercolour Sketch
Anorien, Gondor – Watercolour Sketch

This sketch is the one that I spent the most time working with, using watercolours to capture the colours and shadows formed by the beautiful landscape of Anorien.

It differs slightly from the pencil sketch but the two together serve as a perfect preliminary to work with at a later date if the want arises to for a bigger scale painting.

I hope you have enjoyed this post that the sketches contained within, this series of sketches has allowed me to immerse myself within the landscape of Middle-earth and feel as though it’s a place I’ve visited; that’s the beauty of both literary and visual art, they take one away from the current state and world and transfer one to another world entirely.

Part III of this project will be where I truly strike my artistic ambition, I will be choosing a scene from Tolkien’s narrative and carrying out both a rough sketch and a detailed drawing in order to create my final painting from. I have a few scenes in mind one of which I’m going to choose and that will become the focus of the rest of this journey.

Another bonus for Part III is that I can go into more depth about the scene I’m depicting, taking an excerpt from the book and analysing the content of the material at my disposal, as for Part I and II I have used a variety of scenes or landscapes and therefore haven’t gone into as much detail as I could of, in neither the sketches nor the writing.

Hopefully see you next time for Part III, in the meantime please feel free to comment, follow, and leave any feedback!