When Corvus had accepted the quest to fulfil the prophecy that the White Raven had told him about, he knew that he was leaving his ailing sibling to a certain death. This was not a decision that was taken lightly however, it was a decision that he had to make.
She was distraught by the news that Finbar hadn’t made it back home, he would be greatly missed, especially with the major changes coming to all of the Corvid Colonies.
The first major change would begin tomorrow, with the crowning of Harfengel, making him Ravenking…
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“In a dark place we find ourselves, and a little more knowledge lights our way.”
That quote is incredibly apt when it comes to the journey that I have just taken to a galaxy far far way in order to create my latest artwork ‘Jedi Master Yoda on Dagobah’.
I took a very different approach to this piece than I usually do with my paintings; this time I wanted not to work from a single reference image and fall into the usual trap of becoming a slave to the reference and instead worked from a variety of different ones.
This week I’ll be looking at the work of a newly discovered Tolkien artist; Jerry Vanderstelt. I came across Vanderstelt whilst looking at art prints for sale on the Weta Workshop website earlier today and instantly found it appealing. As expected with being on the Weta website, Vanderstelt has used the actors from the movies to portray the characters from the Lord of the Rings.
Another repost of an essay I wrote in 2014 whilst at college.
For this compare and contrast essay, I have chosen two works of the same title “David and Goliath”, both painted with oil paint on canvas, but 407 years apart. The first of the paintings was done by the master painter Michelangelo Merisi Caravaggio in 1599; the second by Rocco Normanno in 2006. Both of the artists were/are Italian, Caravaggio was born in a town of the same name in Lombardy, northern Italy. Rocco Normanno was born in Taurisano, Lecce. In this writing I am going to pick them apart for their similarities and differences.
This is a repost of an essay I wrote in 2014 whilst at college.
On Friday 5th September, I visited ‘The Human Factor‘ exhibition at the Hayward Gallery, in Southbank, London. I’m going to be writing a full post on the exhibition overall, but for now I’m going to focus on one piece that was there; Him, by Maurizio Cattelan; which in my opinion was the most powerful of all the artworks on exhibit.
Spoiler Alert: This post shows the artwork from the front, as well as the back which is how you would initially see it.
So here we are, in week 2 (according to my posting schedule) of InkTober 2016, and what a week it has been; I’ve found it a struggle to get the sketches done on some days due to other commitments and I missed a day this week; shame on me…
Anyway, straight to business, here are the sketches –
For just over a week now I’ve had to take a break from the Ruins Project to work on a commissioned piece, I’ve now finished the commission and thought that I would publish some of the work that I done in the early stages whilst gathering ideas and conceptualising; and also the finished piece of work that I produced.
The first thing that I had to do was to figure out the pose that I wanted the finished dragon to be in and how the dragon would look, they’re not the easiest creatures to find reference for without trampling all over someone else’s artwork so I spent hours looking at all different types of reptiles, from lizards to crocodiles trying to build up a good reptilian profile in my mind. I did also have a look through a lot of dragon pieces created by other artists, it’s incredible how popular dragons are as a subject of artwork.
Anyway that’s enough of me waffling, let’s get the sketches up.