For a very long time now, since my last re-read of The Hobbit, I have been wanting to explore in depth the character of Bilbo Baggins; of all of Tolkien’s characters Bilbo is the one that I feel akin to and relate to the most.
Before I had made the second mark on paper, I knew that I wanted the final piece to be an ink drawing; ink is a medium that I absolutely love but don’t get to work with enough and thus my experience with the medium is somewhat lacking.
However, knowing that the final piece would be inked, informed my sketching process in a different way than usual and thus made me adapt to a different way of drawing to my usual charcoal and blend method.
“This is where we leave the open and take to cover,” said Strider.
Here we are, returning again to Hobbits, and a marsh, and a plan for a future oil painting with a heavy focus on the landscape this time around. My last painting of a similar scene was ‘The Passage of the Marshes’ but I intend to take this one in a different direction.
This new piece is inspired by The Lord of the Rings – The Fellowship of the Ring, Book One, Chapter XI – A Knife In The Dark. In this scene we join the four Hobbits; Frodo, Sam, Merry and Pippin as they follow Strider to Rivendell, before that though is the journey to Amon Sûl (Weathertop) which takes them through the Midgewater Marshes.
It was after nightfall when they had entered the Mines. They had been going for several hours with only brief halts, when Gandalf came to his first serious check.
After some time toying with the idea of revisiting the scene of Gandalf in Moria in more detail, I have finally managed to make the journey into the depths of the Mines and throw together a new artwork. It has been both an interesting and perilous journey, one full of inspiration and excitement and fair few lessons learned in the process.
For this illustration, we head to The Lord of the Rings – The Fellowship of the Ring, Book Two, Chapter IV – A Journey In The Dark.
Here we are at last, the completion of my latest painting ‘The Passage of the Marshes’ inspired by JRR Tolkien’s epic fantasy; The Lord of the Rings.
We pick up the story at the point where Smeagol has been captured by the two hobbits, Frodo and Sam and has been tamed, swearing a promise to ‘”serve the master of the precious.”‘ Although both hobbits are reluctant to trust him, they request that he guides them to Mordor as he knows the area.
The final paragraph of The Two Towers: Book Four Chapter I –
In the deep of night under hard clear stars they set off. Gollum led them back northward for a while along the way they had come; then he slanted to the right away from the steep edge of the Emyn Muil, down the broken stony slopes towards the vast fens below. They faded swiftly and softly into the darkness. Over all the leagues of waste before the gates of Mordor there was a black silence.
Now moving onto The Two Towers: Book Four Chapter II –
A couple of weeks ago I finally got around to attending a life drawing session. They are few and far between in the county that I live in, traveling to London isn’t a realistic option so I have to rely on local sessions; having found one only a 20 minute drive from home I am now set on making it a habit.
We’ll begin today’s post with the results of that life drawing session, I haven’t drawn from a live model since I was in college so I had a lot of loosening up to do and rust to clean off, I think I’ll fair better after a few more sessions…
Well, in terms of my latest oil painting on the easel anyway…
I’ve been getting up earlier than necessary for work over the past week and sneaking in a 30-40 minute painting session in order to work my way back into this piece and make some serious headway. It’s proved productive and the painting is now at a stage where all I need to do is go over the figures and the render the finishing details, not long now and we’ll have another piece for the portfolio.