New News, Blog Update & Some Figure Drawings…

Evening all,

Things have been considerably quiet on the blog posting front as of late but behind the scenes the wheels haven’t stopped turning, well not quite anyway…

Work and other commitments take their toll on my time and make it hard to update the blog as regularly as I want to.

That being said, I’ve decided to step into a slightly new venture and try my hand at turning my artwork into a marketable business plan and I intend to start painting murals. I spent yesterday white washing a practice wall at home and I’ve drawn up a design to try out in my first attempt, it’s not a huge piece but a good starting ground for this new journey.

Continue reading “New News, Blog Update & Some Figure Drawings…”

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The Discipline of Drawing

With my Lord of the Rings painting project drawing to a close, I’ve started to think about where I’m going next in terms of project ideas and subject matter for another oil painting; I have countless ideas of what to do for my next piece but I also have a lot to learn about the human form in general and I need to build up my skill in that area.

Continue reading “The Discipline of Drawing”

Study of a Man in Profile After Leonardo da Vinci

Study of a Man in Profile After Leonardo da Vinci - Charcoal on Paper
Study of a Man in Profile After Leonardo da Vinci – Charcoal on Paper

I spent about 15-20 minutes on this sketch and I’m reasonably happy with the result and what I learned in the process. I love the way Leonardo captured his subjects and sketching one of the Maestro’s drawings is like learning from him in person in some respects.

JGlover

Tristan and Yseult – A Legend of Celtic Origin – Art Project

So I had to come up with an idea for my next artwork project and with my goal of interpreting and bringing back to life British history, myths, legends and folklore, I have decided to work with a popular medieval romance tale that stems from Celtic legend; the story of ²Tristan and Yseult.

 There are numerous versions of this tale, but all of them contain prominent features and I will most probably play on the different aspects of each telling that appeal to me the most. As a base idea to work from I might even write up a short version of the story combining the various aspects and suiting to my own interpretation, thus making me able to create more works from this further down the line, that’s not presently set in stone though I’ll have to think about that¹.

With that in mind I won’t go into the nitty gritty details of the legend just yet although I have linked to the Britannica version of the tale.

As promised before, I will use the series of posts and updates on this project to show my preliminary studies, sketches and ideas, as well as a bit of prose or poetry that I intend to write for the particular scene that I will show in my finished painting. I have chosen the scene that I want to capture and have begun sketches, mainly to work out composition and background scenery, I’m also implementing a fair few symbolic features as well so I’ll have to hit the books and see what I come up with; some symbols I am certain of and relate to the story itself and therefore will definitely be added.

I’ll leave that there for now and my next post will contain my preparatory work that I’ve create up until that point, which will most probably be next Wednesday, when my posting schedule is due, this post is more of a taster for what’s to come and to give awareness of the project I am currently pursuing now that I’ve set my heart upon it.

¹More of a note to self than a definitive idea

²Link to the Britannica version of the legend Tristan and Yseult 

JG

Change of Direction – New Paths

So many people in this world are scared of change, whether big or little; I see it as an opportunity to adapt, start anew and build up an empire, alas, don’t ever fear change but on the contrary, embrace it. – J Glover

I recently made a decision that was found to be shocking by the people around me, my friends and even my wife, who knows me better than anyone. That decision was that after 2 years of working hard in education in order to go to uni, I will no longer be going. This decision wasn’t an off the cuff spur of the moment change of heart about my future caused by being unsure of what I want from life; my end game is the same, my objective clear and concise, a set destination of immovable strength; it’s just the road that I’m taking to get there that is different.

This was incited by troubles in getting the funding that I needed, a lot of hassle and stress that isn’t needed at the best of times, but this minor tribulation set off a whirlwind of thoughts and deep contemplation, tropical brainstorms and meditating until my pulse stopped, weighing up and reasoning on every aspect of my decision to go to university and the course that was available to me.

I had chosen to take a Fine Art BA (Hons) Degree; now when I initially pictured Fine Art, I had a beautifully romanticized vision of a modern Verrocchio’s workshop. Tutors that would teach me to draw and paint like the masters of the Renaissance, Sculpt like Michelangelo and provide plenty of hours worth of figure studies each and every week. Research on different narratives, mythologies and a study of philosophy. Obviously my definition of Fine Art is very outdated and too far gone to even be sniffed at in a modern Fine Art degree. A Fine Art Atelier would probably be better suited to my needs, but due to lack of funding available for such a course and locality this isn’t an option either.

Instead of what I envisioned, the course has dropped figure studies from its curriculum and the rest is more Contemporary than I would like to be involved in, Conceptual art, challenging conventions and Installation work; whilst I have seen artworks from each category that I have liked, it’s not what I personally want to create or be a part of. From unmade beds to condensation cubes and glittered excrement I found myself questioning if it really was for me. The end result of my contemplation was that I don’t want to invest 3 years and so much debt into something that I’m not 100% dedicated to. I’m not suggesting that the course is worthless or that I wouldn’t have learned anything because that would be a ridiculous idea, it’s just not going to teach me what I want to learn and will involve me spending too much time away from what I do want to do and my personal studies.

My next step now is to self educate, with the power of books and the internet on top of spending every day in practical work I will learn to draw and paint in the way I want to, whether frowned upon or not to prefer the traditional methods, that is what I’m going to do, staying true to myself rather than going to university on a whim for the experience or conforming to the Contemporary art industry. It’s funny really that they spend so much time trying to find new ways to “challenge convention” that they’ve lost their way, it’s turned now to the point that I’m challenging convention more by wanting to draw and paint in the traditional manners and techniques.

Also underlying all of this is the fact that I would love to work as a concept artist, for film,TV or computer games and although a lot of this work would be done digitally through software such as Photoshop, it still offers opportunity to be traditional in the sense of creating a narrative using paint, drawing and sketching, research and practice; these are the things that appeal to me more than anything. The thing that would get me a job in the field of Conceptual Design will be my portfolio based around that area, not a degree and a portfolio full of glittered turds and “this is art because I say it is” pieces.

Time is a very important factor as well, by not attending university five days a week, I have the time to go to London regularly to visit galleries, places of interest, museums and draw inspiration from them; I’ll also be able to make more trips to my home away from home that is Italy. Trips to other places of interest and long walks through natural landscapes, sketching and painting as I go will also now be a part of my itinerary. In addition to these things, I’ll have more time to build up my blog and remain consistent with posts, not having to neglect neither this or my artwork due to having to write essays or dissertations and not running on fumes every day. My creativity will be nurtured and in full bloom due to my decision and inspiration comes from within as much as from without, if not more so.

I may have rambled a fair amount through this post but the point of me posting it is to show that change is not something to avoid, change of mind is not a sign of failure or fear to commit, it is something to embrace and use to your advantage wherever possible. We are human, adapting to new situations is part of our being and a skill that comes naturally, never having to be learned as long as you don’t fear to utilize it.

JG

Vatican Angel – Watercolour

Vatican Angel - Watercolour on Paper
Vatican Angel – Watercolour on Paper

This is a painting that I done in watercolour in March, I created this using a photograph that I previously took, as a reference to work from.

The original statue is to be found on the Ponte Vittorio Emanuele bridge in Rome, leading one into the Vatican city, I’ve tried researching who designed the sculpture and who made it but without many results¹. The bridge itself was constructed to the designs of Ennio de Rossi.

Overall this painting is an interpretation of the battle between dark and light, good and evil, I have attempted to describe this battle in a few different ways within the piece.

To begin with is the obvious, a silhouetted angel figure, a figure that is instantly associated with light and love, is a dark black silhouette, no light emanating from the angel whatsoever, but it is illuminated by the lighter background behind it, almost as though it is being pushed forward by the light, and away from the light.

Upon further examination of the light behind the angel, it becomes evident that it is actually a storm cloud, battling it out with the much lighter and more welcoming pristine blue sky, whether the cloud is building up, ready to engulf the world of light or whether it is dissipating is open to the interpretation of the viewer.

That brings us back to the angel itself, so at first a vision of darkness, it’s now questionable whether the angel is fighting off the darkness that’s surrounding it and seemingly fighting a losing battle; being consumed by the darkness from within and becoming another fallen angel; or is the angel sacrificing itself, consuming the darkness to bring the light to the world?

JG

 

 

¹If anyone reading this knows who the artist was that designed and sculpted these statues I am dying to know so I would be thrilled if you could enlighten me, I’m pretty certain that they’re not works of Bernini, although there’s tons of his designs dotted around the entire city; both Rome and the Vatican.