I have been a Star Wars fan for as long as I can remember, the OT was finished up almost a decade before I was born and I was born into a Star Wars household.
My favourite creatures from the Star Wars universe are without a doubt, Jawas. Ironically, I didn’t realise this until the release of the Mandalorian and seeing the Jawas again but in a different context, the nostalgia value hit high.
This in turn inspired me to want to turn out some Jawa themed artworks, this post here shows the first which is a bit of a character study style piece; made with the intention to inform a small series of future Jawa paintings that will have a different look to them to this one.
So let’s begin the inspiration with a #MasterpieceMonday post – This particular artwork in its preparations and various copies of the original will be of special note for this month’s #StudyingTheMasters – also of note, this particular piece is a master study of a Leonardo da Vinci artwork by Rubens.
Peter Paul Rubens – The Battle of Anghiari Copy – 1603
‘The Battle of Anghiari’ by Peter Paul Rubens, is a copy of a fresco that was painted around 1503-06 by Leonardo da Vinci and although the fresco itself was never completed, it was also destroyed around 1560; some 43 years before Rubens made his copy.
Leonardo da Vinci had made a number of preparatory studies for the original painting that still exist and the central section of the composition is known through this copy by Rubens. Rubens’ copy was based on an engraving by Lorenzo Zacchia in 1553 based on the cartoon of Leonardo da Vinci.
Rubens was successful in portraying the intense fury, emotions and sense of power that was present in the original painting by Leonardo. There have also been similarities noted between this piece and The Hippopotamus and Crocodile Hunt painted by Ruben around 1616.
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Every now and then I am suddenly and unexpectedly hit with surges of nostalgia, and having art and illustration as my choice medium of outlet, this usually always results in artwork. Sometimes just a doodle of scribble, sometimes a painting; and occasionally a series.
This is the case with this miniseries, I also will be adding a few more pieces to this set as well using different media; as I have been accepted into the upcoming Zelda Creator Con by Linktober!
Anyway, before I keep rambling on like the Great Deku Tree, let’s see some art…
The street of Gion have quietened down, but the tea houses are thriving…
Continuing the Geisha theme that I’ve been working on over the past couple of months I now have a couple of oil painting portraits to share.
Katsuru – Geisha Girl Portrait – Oil on Canvas
Mameka – Geisha Girl Portrait – Oil on Canvas
These portraits were great fun to work on and I learned such a lot in the process. I worked on these with my usual method of approach; starting with a preliminary charcoal drawing, then transferring an outline to canvas before working on the underpainting.
As I write this post, it’s now quite late into Star Wars day for me here in the UK, however, it’s been a great one, probably my best yet and it will continue much into the weekend for me; lockdown is a great excuse for binging!
Let’s begin this post with a new artwork I’ve completed –
I recently undertook and completed this charcoal drawing to serve as a preliminary for a new oil painting, a May the Fourth special which also served as the subject for a live stream (more on that in a bit).
I’ve always had an odd obsession with Jawas and I’ll be doing some more Jawa based artworks in the future so this is just the beginning. In later piece I intend to put more emphasis on the landscape narrative whereas this piece is more of a character portrait.
So as a result of the current lockdown measures here in the UK I have been afforded a rare luxury within my artwork; time. Time to experiment and play about with ideas and techniques; time to learn from life studies and master studies; time to reflect on the work I’ve been doing with the pencils and brushes.
One area that I have been really getting stuck into is alla prima painting. I’ve done some pieces as still life artworks, setting up the subjects and lighting them in the way that I desire; there is no better way to learn a subject than by studying it in real life, in person. I’ve also done some alla prima paintings using reference and photography too, a total opposite to my normal slow and steady approach of building a painting up in layers, slowly and steadily.