Ruins Project – Part I -Ideas & Sketches

So finally the time has for publish the first part of this project containing my own artwork; although having said that, aesthetics are not the aim of this stage, ideas and forming a concept have been my only objective. In just the course of the short time I’ve spent on these sketches, the entire concept has changed hugely and I am now at a stage where I know where I want to go with the work for a final piece; but that’s a little way off yet.

Initially the idea was just to research different ruins and types of architecture until I decided upon what I wanted for my work, I primarily thought about doing an ancient Norse inspired work, some ruins and the head of a statue, perhaps hinting at an Icelandic landscape post-Ragnarok.

Continue reading “Ruins Project – Part I -Ideas & Sketches”

The Lord of the Rings Project – Part VI

After a long and turbulent journey through my Lord of the Rings Project we have finally reached the end of the road. It started off as just an idea and some simple sketches, gradually evolving into a depiction of my favourite scene from the narrative, invented and recorded by the genius J.R.R. Tolkien, then brought to life in the cinema by Peter Jackson.

Continue reading “The Lord of the Rings Project – Part VI”

The Discipline of Drawing

With my Lord of the Rings painting project drawing to a close, I’ve started to think about where I’m going next in terms of project ideas and subject matter for another oil painting; I have countless ideas of what to do for my next piece but I also have a lot to learn about the human form in general and I need to build up my skill in that area.

Continue reading “The Discipline of Drawing”

The Lord of the Rings Project – Update

Welcome back for the update of my current project, if you’ve missed the previous parts of this project, they can all be found by Clicking Here 

In Part V, I published the finished underpainting of the scene that I’ve chosen to depict for this final painting; Sam carrying Frodo up the slopes of Mount Doom. I’ve now made more progress on the painting and started the overpainting phase, it’s a total learning curve and I’ve made a few mistakes here and there which I’m rectifying as I go.

I’m gradually becoming more comfortable with the oil paints and I am convinced now that this is my medium and will be employed for all future works; with the odd watercolour here and there.

Sam Carrying Frodo - Art - LOTR Art - the lord of the rings - painting

Continue reading “The Lord of the Rings Project – Update”

My Artist Statement

Foreword

It’s taken me a little while to get around to writing this, partly due to searching out the direction that I intend to go in; also the fact that I’ve spent the last two years in the education system, there has been little opportunity to create the types of work that I personally wanted to create. Throughout college I have worked with the themes and projects I’ve been given and turned them into work that is personal to me, it’s more so the fact that there wasn’t the time to spend on one particular piece of work. The closest I came to creating a narrative artwork in college was my final major project “Coffee Comes to Europe, 1615”.

Anyway, now that I’ve had the time to gather my thoughts and reflect upon the road that I wish to take in this artistic journey, I have finally written my statement and any future works will be true to it; because at this point if you were to look through my portfolio and saw the work that I’ve got in there it could be thought that my work isn’t true to my statement. This small factor will be amended over time with the more work that I produce now that I’m free to work on a personal level.

The Statement

I find myself driven by a split-personality consisting of a deep thinking, self-analytical perfectionist and an inventive artisan motivated to utilize my creativity ceaselessly. My over-active mind doesn’t allow me to cease thinking and planning creative ventures; at any time I’m not physically producing artworks, I’m mentally creating them.

Through the work I produce I explore the concept of the artist as a storyteller, making narrative artworks and breathing a fresh lease of life into some of the oldest and most ancient legends, myths and folklore of the British Isles, resurrecting onto canvas the tales that have been passed down from generation to generation. In harmony with that, my interest in world history provides me with a wealth of inspirational sources to work with.

In addition to narrative artworks, I also intend to create landscapes in a wide variety of locations; more often than not with my landscapes, I tend to search for a hidden story within my scene, evoking myth and legend into what could otherwise be depicted simply as a scenic view.

My preferred style of painting is traditional or classical, a style that I am currently working towards and learning more about with every stroke of the paintbrush and mark of the pencil; using either oil or watercolour as my preferred media. In light of that, I have no intentions of merely duplicating the styles of old masters; I wish to build upon a knowledge of traditional methods in order to excel my own technique as an artist, working towards a new age of classicism.

The achievement I hope for is that I can make works of art that communicate with the audience, evoking emotions and inspiration, bringing them so close into a narrative that they are as much a part of it as the characters depicted in the unfolding scene. I want my work to leave a lasting impression upon all who partake in this communion of visual storytelling to the point that the audience will describe their experience to others, thus passing the tales on as has been the custom since the dawn of mankind.

Afterword

Well that’s it, relatively short as is the usual custom as far as I’m aware but to the point and descriptive of my objectives and goals as an artist. The next step now is to create more artworks harmonious to my statement and get them published as soon as possible. I’m currently working on a five part project based on ‘The Lord of the Rings’ which will culminate in a narrative painting that I can be truly happy with.

Jglover

Current Direction – Tristan and Yseult Art Project on Hold

In light of a few technicalities I’ve been having with getting started on my Tristan and Yseult painting, I’m going to put that on the back burner for a short while; though I have written an outline of the legend as I want it to be and will flesh that out and edit it to post real soon. For the painting itself, I will get round to it once the arisen problems with it have been solved.

In the meantime and due to the inspiration I received whilst writing my last post, I’m going to create some ‘Middle Earth’ themed artworks, it’s something I’m a huge fan of and also by regularly creating artworks it’s good practice and training for me.

This will mainly consist of loads of sketches and drawings, finally culminating in an oil painting showing one of Tolkien’s masterful narrative scenes; there’s also the possibility of one or two watercolour landscapes as well, I’m currently more comfortable with watercolours than I am with oils as I’m totally new to them therefore the one oil painting that I do produce may take some time to accomplish.

My next post will be on Wednesday 15th July and will contain some sketches that I’ve been doing for this project.

JGlover

Tristan and Yseult – A Legend of Celtic Origin – Art Project

So I had to come up with an idea for my next artwork project and with my goal of interpreting and bringing back to life British history, myths, legends and folklore, I have decided to work with a popular medieval romance tale that stems from Celtic legend; the story of ²Tristan and Yseult.

 There are numerous versions of this tale, but all of them contain prominent features and I will most probably play on the different aspects of each telling that appeal to me the most. As a base idea to work from I might even write up a short version of the story combining the various aspects and suiting to my own interpretation, thus making me able to create more works from this further down the line, that’s not presently set in stone though I’ll have to think about that¹.

With that in mind I won’t go into the nitty gritty details of the legend just yet although I have linked to the Britannica version of the tale.

As promised before, I will use the series of posts and updates on this project to show my preliminary studies, sketches and ideas, as well as a bit of prose or poetry that I intend to write for the particular scene that I will show in my finished painting. I have chosen the scene that I want to capture and have begun sketches, mainly to work out composition and background scenery, I’m also implementing a fair few symbolic features as well so I’ll have to hit the books and see what I come up with; some symbols I am certain of and relate to the story itself and therefore will definitely be added.

I’ll leave that there for now and my next post will contain my preparatory work that I’ve create up until that point, which will most probably be next Wednesday, when my posting schedule is due, this post is more of a taster for what’s to come and to give awareness of the project I am currently pursuing now that I’ve set my heart upon it.

¹More of a note to self than a definitive idea

²Link to the Britannica version of the legend Tristan and Yseult 

JG

Change of Direction – New Paths

So many people in this world are scared of change, whether big or little; I see it as an opportunity to adapt, start anew and build up an empire, alas, don’t ever fear change but on the contrary, embrace it. – J Glover

I recently made a decision that was found to be shocking by the people around me, my friends and even my wife, who knows me better than anyone. That decision was that after 2 years of working hard in education in order to go to uni, I will no longer be going. This decision wasn’t an off the cuff spur of the moment change of heart about my future caused by being unsure of what I want from life; my end game is the same, my objective clear and concise, a set destination of immovable strength; it’s just the road that I’m taking to get there that is different.

This was incited by troubles in getting the funding that I needed, a lot of hassle and stress that isn’t needed at the best of times, but this minor tribulation set off a whirlwind of thoughts and deep contemplation, tropical brainstorms and meditating until my pulse stopped, weighing up and reasoning on every aspect of my decision to go to university and the course that was available to me.

I had chosen to take a Fine Art BA (Hons) Degree; now when I initially pictured Fine Art, I had a beautifully romanticized vision of a modern Verrocchio’s workshop. Tutors that would teach me to draw and paint like the masters of the Renaissance, Sculpt like Michelangelo and provide plenty of hours worth of figure studies each and every week. Research on different narratives, mythologies and a study of philosophy. Obviously my definition of Fine Art is very outdated and too far gone to even be sniffed at in a modern Fine Art degree. A Fine Art Atelier would probably be better suited to my needs, but due to lack of funding available for such a course and locality this isn’t an option either.

Instead of what I envisioned, the course has dropped figure studies from its curriculum and the rest is more Contemporary than I would like to be involved in, Conceptual art, challenging conventions and Installation work; whilst I have seen artworks from each category that I have liked, it’s not what I personally want to create or be a part of. From unmade beds to condensation cubes and glittered excrement I found myself questioning if it really was for me. The end result of my contemplation was that I don’t want to invest 3 years and so much debt into something that I’m not 100% dedicated to. I’m not suggesting that the course is worthless or that I wouldn’t have learned anything because that would be a ridiculous idea, it’s just not going to teach me what I want to learn and will involve me spending too much time away from what I do want to do and my personal studies.

My next step now is to self educate, with the power of books and the internet on top of spending every day in practical work I will learn to draw and paint in the way I want to, whether frowned upon or not to prefer the traditional methods, that is what I’m going to do, staying true to myself rather than going to university on a whim for the experience or conforming to the Contemporary art industry. It’s funny really that they spend so much time trying to find new ways to “challenge convention” that they’ve lost their way, it’s turned now to the point that I’m challenging convention more by wanting to draw and paint in the traditional manners and techniques.

Also underlying all of this is the fact that I would love to work as a concept artist, for film,TV or computer games and although a lot of this work would be done digitally through software such as Photoshop, it still offers opportunity to be traditional in the sense of creating a narrative using paint, drawing and sketching, research and practice; these are the things that appeal to me more than anything. The thing that would get me a job in the field of Conceptual Design will be my portfolio based around that area, not a degree and a portfolio full of glittered turds and “this is art because I say it is” pieces.

Time is a very important factor as well, by not attending university five days a week, I have the time to go to London regularly to visit galleries, places of interest, museums and draw inspiration from them; I’ll also be able to make more trips to my home away from home that is Italy. Trips to other places of interest and long walks through natural landscapes, sketching and painting as I go will also now be a part of my itinerary. In addition to these things, I’ll have more time to build up my blog and remain consistent with posts, not having to neglect neither this or my artwork due to having to write essays or dissertations and not running on fumes every day. My creativity will be nurtured and in full bloom due to my decision and inspiration comes from within as much as from without, if not more so.

I may have rambled a fair amount through this post but the point of me posting it is to show that change is not something to avoid, change of mind is not a sign of failure or fear to commit, it is something to embrace and use to your advantage wherever possible. We are human, adapting to new situations is part of our being and a skill that comes naturally, never having to be learned as long as you don’t fear to utilize it.

JG