Ruins Project – Part I -Ideas & Sketches

So finally the time has for publish the first part of this project containing my own artwork; although having said that, aesthetics are not the aim of this stage, ideas and forming a concept have been my only objective. In just the course of the short time I’ve spent on these sketches, the entire concept has changed hugely and I am now at a stage where I know where I want to go with the work for a final piece; but that’s a little way off yet.

Initially the idea was just to research different ruins and types of architecture until I decided upon what I wanted for my work, I primarily thought about doing an ancient Norse inspired work, some ruins and the head of a statue, perhaps hinting at an Icelandic landscape post-Ragnarok.

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The Lord of the Rings Project – Part VI

After a long and turbulent journey through my Lord of the Rings Project we have finally reached the end of the road. It started off as just an idea and some simple sketches, gradually evolving into a depiction of my favourite scene from the narrative, invented and recorded by the genius J.R.R. Tolkien, then brought to life in the cinema by Peter Jackson.

Continue reading “The Lord of the Rings Project – Part VI”

The Discipline of Drawing

With my Lord of the Rings painting project drawing to a close, I’ve started to think about where I’m going next in terms of project ideas and subject matter for another oil painting; I have countless ideas of what to do for my next piece but I also have a lot to learn about the human form in general and I need to build up my skill in that area.

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The Lord of the Rings Project – Update

Welcome back for the update of my current project, if you’ve missed the previous parts of this project, they can all be found by Clicking Here 

In Part V, I published the finished underpainting of the scene that I’ve chosen to depict for this final painting; Sam carrying Frodo up the slopes of Mount Doom. I’ve now made more progress on the painting and started the overpainting phase, it’s a total learning curve and I’ve made a few mistakes here and there which I’m rectifying as I go.

I’m gradually becoming more comfortable with the oil paints and I am convinced now that this is my medium and will be employed for all future works; with the odd watercolour here and there.

Sam Carrying Frodo - Art - LOTR Art - the lord of the rings - painting

Continue reading “The Lord of the Rings Project – Update”

My Artist Statement

Foreword

It’s taken me a little while to get around to writing this, partly due to searching out the direction that I intend to go in; also the fact that I’ve spent the last two years in the education system, there has been little opportunity to create the types of work that I personally wanted to create. Throughout college I have worked with the themes and projects I’ve been given and turned them into work that is personal to me, it’s more so the fact that there wasn’t the time to spend on one particular piece of work. The closest I came to creating a narrative artwork in college was my final major project “Coffee Comes to Europe, 1615”.

Anyway, now that I’ve had the time to gather my thoughts and reflect upon the road that I wish to take in this artistic journey, I have finally written my statement and any future works will be true to it; because at this point if you were to look through my portfolio and saw the work that I’ve got in there it could be thought that my work isn’t true to my statement. This small factor will be amended over time with the more work that I produce now that I’m free to work on a personal level.

The Statement

I find myself driven by a split-personality consisting of a deep thinking, self-analytical perfectionist and an inventive artisan motivated to utilize my creativity ceaselessly. My over-active mind doesn’t allow me to cease thinking and planning creative ventures; at any time I’m not physically producing artworks, I’m mentally creating them.

Through the work I produce I explore the concept of the artist as a storyteller, making narrative artworks and breathing a fresh lease of life into some of the oldest and most ancient legends, myths and folklore of the British Isles, resurrecting onto canvas the tales that have been passed down from generation to generation. In harmony with that, my interest in world history provides me with a wealth of inspirational sources to work with.

In addition to narrative artworks, I also intend to create landscapes in a wide variety of locations; more often than not with my landscapes, I tend to search for a hidden story within my scene, evoking myth and legend into what could otherwise be depicted simply as a scenic view.

My preferred style of painting is traditional or classical, a style that I am currently working towards and learning more about with every stroke of the paintbrush and mark of the pencil; using either oil or watercolour as my preferred media. In light of that, I have no intentions of merely duplicating the styles of old masters; I wish to build upon a knowledge of traditional methods in order to excel my own technique as an artist, working towards a new age of classicism.

The achievement I hope for is that I can make works of art that communicate with the audience, evoking emotions and inspiration, bringing them so close into a narrative that they are as much a part of it as the characters depicted in the unfolding scene. I want my work to leave a lasting impression upon all who partake in this communion of visual storytelling to the point that the audience will describe their experience to others, thus passing the tales on as has been the custom since the dawn of mankind.

Afterword

Well that’s it, relatively short as is the usual custom as far as I’m aware but to the point and descriptive of my objectives and goals as an artist. The next step now is to create more artworks harmonious to my statement and get them published as soon as possible. I’m currently working on a five part project based on ‘The Lord of the Rings’ which will culminate in a narrative painting that I can be truly happy with.

Jglover

Current Direction – Tristan and Yseult Art Project on Hold

In light of a few technicalities I’ve been having with getting started on my Tristan and Yseult painting, I’m going to put that on the back burner for a short while; though I have written an outline of the legend as I want it to be and will flesh that out and edit it to post real soon. For the painting itself, I will get round to it once the arisen problems with it have been solved.

In the meantime and due to the inspiration I received whilst writing my last post, I’m going to create some ‘Middle Earth’ themed artworks, it’s something I’m a huge fan of and also by regularly creating artworks it’s good practice and training for me.

This will mainly consist of loads of sketches and drawings, finally culminating in an oil painting showing one of Tolkien’s masterful narrative scenes; there’s also the possibility of one or two watercolour landscapes as well, I’m currently more comfortable with watercolours than I am with oils as I’m totally new to them therefore the one oil painting that I do produce may take some time to accomplish.

My next post will be on Wednesday 15th July and will contain some sketches that I’ve been doing for this project.

JGlover

Tristan and Yseult – A Legend of Celtic Origin – Art Project

So I had to come up with an idea for my next artwork project and with my goal of interpreting and bringing back to life British history, myths, legends and folklore, I have decided to work with a popular medieval romance tale that stems from Celtic legend; the story of ²Tristan and Yseult.

 There are numerous versions of this tale, but all of them contain prominent features and I will most probably play on the different aspects of each telling that appeal to me the most. As a base idea to work from I might even write up a short version of the story combining the various aspects and suiting to my own interpretation, thus making me able to create more works from this further down the line, that’s not presently set in stone though I’ll have to think about that¹.

With that in mind I won’t go into the nitty gritty details of the legend just yet although I have linked to the Britannica version of the tale.

As promised before, I will use the series of posts and updates on this project to show my preliminary studies, sketches and ideas, as well as a bit of prose or poetry that I intend to write for the particular scene that I will show in my finished painting. I have chosen the scene that I want to capture and have begun sketches, mainly to work out composition and background scenery, I’m also implementing a fair few symbolic features as well so I’ll have to hit the books and see what I come up with; some symbols I am certain of and relate to the story itself and therefore will definitely be added.

I’ll leave that there for now and my next post will contain my preparatory work that I’ve create up until that point, which will most probably be next Wednesday, when my posting schedule is due, this post is more of a taster for what’s to come and to give awareness of the project I am currently pursuing now that I’ve set my heart upon it.

¹More of a note to self than a definitive idea

²Link to the Britannica version of the legend Tristan and Yseult 

JG