When I think about what is probably my favourite era of history; the Renaissance period, aside from the superhuman skills and mastery of most of the artists alive in that era, one of the things that I find the most inspiring is the concept of La Bottega, or the workshop.
The Renaissance was undoubtedly one of the most profound moments of enlightenment, discovery and achievement in human history and a big part of me thinks that something that helped enhance the creativity of this period was the workshops.
This is now the final update on my Lord of the Rings Project until I post the finished piece; the last update I posted was going to be the final update but I wasn’t satisfied with how it looked and felt the need to post one more before completion.
I spent about 15-20 minutes on this sketch and I’m reasonably happy with the result and what I learned in the process. I love the way Leonardo captured his subjects and sketching one of the Maestro’s drawings is like learning from him in person in some respects.
So I had to come up with an idea for my next artwork project and with my goal of interpreting and bringing back to life British history, myths, legends and folklore, I have decided to work with a popular medieval romance tale that stems from Celtic legend; the story of ²Tristan and Yseult.
There are numerous versions of this tale, but all of them contain prominent features and I will most probably play on the different aspects of each telling that appeal to me the most. As a base idea to work from I might even write up a short version of the story combining the various aspects and suiting to my own interpretation, thus making me able to create more works from this further down the line, that’s not presently set in stone though I’ll have to think about that¹.
With that in mind I won’t go into the nitty gritty details of the legend just yet although I have linked to the Britannica version of the tale.
As promised before, I will use the series of posts and updates on this project to show my preliminary studies, sketches and ideas, as well as a bit of prose or poetry that I intend to write for the particular scene that I will show in my finished painting. I have chosen the scene that I want to capture and have begun sketches, mainly to work out composition and background scenery, I’m also implementing a fair few symbolic features as well so I’ll have to hit the books and see what I come up with; some symbols I am certain of and relate to the story itself and therefore will definitely be added.
I’ll leave that there for now and my next post will contain my preparatory work that I’ve create up until that point, which will most probably be next Wednesday, when my posting schedule is due, this post is more of a taster for what’s to come and to give awareness of the project I am currently pursuing now that I’ve set my heart upon it.
¹More of a note to self than a definitive idea
²Link to the Britannica version of the legend Tristan and Yseult