So in my cultural explorations and world travels via my drawing materials I found myself on a brief visit to the Indonesian island of Bali. The Balinese are fascinating people to study and learn about and although there have been many cultural changes to the island in the past century, there is also a strong presence of the ancestral forefathers of the island.
One industry that is a great platform for cultural exploration anywhere in the world is farming. Farming is an industry that despite the invent of machinery and industrial growth, still holds many roots in the distant past, whether you are in the rice paddies of Vietnam or the corn fields of Indiana.
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So it’s the 21st of the month and that means one thing – YouTube video! This one is the first one I’ve done and therefore slightly rusty but the learning process has been immense, the software that I’ve decided to go with seems very promising as well.
For this portrait I looked at a different point of view –
My Geisha series is still growing into a beautiful collection of portraits and gestural sketches and drawings now; with a lot more piece still in the bag and ready to be brought to life.
This portrait has served as a preliminary drawing to use as a reference to inform an oil painting that I just wrapped up today and will be posting here next week; however if you want to see the painting now you can, on my Instagram – @JGloverArt
The street of Gion have quietened down, but the tea houses are thriving…
Continuing the Geisha theme that I’ve been working on over the past couple of months I now have a couple of oil painting portraits to share.
Katsuru – Geisha Girl Portrait – Oil on Canvas
Mameka – Geisha Girl Portrait – Oil on Canvas
These portraits were great fun to work on and I learned such a lot in the process. I worked on these with my usual method of approach; starting with a preliminary charcoal drawing, then transferring an outline to canvas before working on the underpainting.
As I write this post, it’s now quite late into Star Wars day for me here in the UK, however, it’s been a great one, probably my best yet and it will continue much into the weekend for me; lockdown is a great excuse for binging!
Let’s begin this post with a new artwork I’ve completed –
I recently undertook and completed this charcoal drawing to serve as a preliminary for a new oil painting, a May the Fourth special which also served as the subject for a live stream (more on that in a bit).
I’ve always had an odd obsession with Jawas and I’ll be doing some more Jawa based artworks in the future so this is just the beginning. In later piece I intend to put more emphasis on the landscape narrative whereas this piece is more of a character portrait.
‘Hobbits have a passion for mushrooms, surpassing even the greediest likings of Big People’
The Lord of the Rings – The Fellowship of the Ring, Book I, Chapter V – A Conspiracy Unmasked
I recently did something that has been quite a long held ambition of mine; I depicted myself as a Hobbit. This was quite an off the cuff project, planned, sketched and completed within a few hours for a competition that I entered.
I love Hobbits; I also love mushrooms; and Hobbits love mushrooms so this tripartite arrangement birthed a new artwork.